Camera constantly pans and tilts over her body
Wears tight clothes - crop tops, leggings, shorts
Close ups of her face
Emphasise her lips - red lipstick
Marjorie Ferguson - Facial Expressions
Romantic or sexual
Male or female 'two-somes'
Dreamy
Heavy lidded
Overtly sexual/sensual
Had our couple constantly touching each other, hugging, kissing
etc
Chocolate box
Half/full smile
Lips together/ slightly parted
Teeth barely visible
Full/ three quarters of face to camera
Blandly pleasing
Uniformity of beauty
Devoid of uniqueness
Soft and sweet
Like smooth perfection - is more important than her qurtks or her
personality
For our digipak
Trevor Millum
Seductive
Similar to invitational
Less focus on the positioning of face and angles
Eyes less wide
Less reserved but still self confident
Carefree
Nymph like
Active
Healthy
Vibrant
Outdoor girl
Often smiling/ grinning
Barthes: 5
Codes
Semantic Codes
Refers to a part of the text that suggests or refers to additional meanings
Have a connotative function
Add an extra layer of meaning to the text, beyond its literal meaning
Symbolic Code
This code is about symbolism within the text
It uses opposites to show contrast and create greater meaning
These codes create tension, drama and create drama
Symbolic Code
Fireworks - symbol of explosion of love
Red lips - love/lust - song we found love
Referential Code
Clothes are similar to other R'n'B videos
Levi Strauss: Binary Opposition
Meaning is enhanced by our knowledge of differences
Our understanding of the word "good" is enhanced by our knowledge of the world "evil"
Our understanding of the word "good" is enhanced by our knowledge of the world "evil"
Meaning is created by these differences and the narrative is enhanced by
it
Examples
Applying it to my coursework
Night and day/ inside, outside locations
Boy and girl
Stillness and movement - dancing and brick wall shot
Contrast between digipak and video
Steve Neal
Classic Stage - the
conventions of the media text are clearly defined and the audience are clear of
genre. Music video example - 80's - Micheal jackson - dance routine,
light up tiles, signature dance moves, camera trickery
Pye
"Films have to
conform to audience expectations about narrative"
Our own - couple in love - typical - we found love
+ a dance scene with people getting ready to party
Follows conventional narrative
General
Who is being represented?
Our artist
Make sure that we're following conventions by representing her in a sexualised way
How is the representation being created?
Camera angles
Close use of her face and body - sexulise her - body shots show that she doesn't have any personality
Close ups/ two shots of the couple - holding each other - clearly in love - his property when he's holding her
limo scene - people shouting out of the window - looks like a mobile phone camera - media savvy
Sound
song is R'n'B - typical sexual songs
Artist represented as fun - upbeat song
Camera Movement
Pans over her body - emphasises her movement
Mise-en-Scene
Tight clothes - crop tops, leggings, high heels - show off her figure
Black and red - sexual colours
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